LITERATURE AND CENSORSHIP US1565
(Offered first semester) (1 SEMESTER/0.5 credit) Grades 11-12
It has been said that if you want to learn about a society, you should take a look at the people that society puts in jail. This course takes for its premise the idea that we can likewise learn about a society by studying the literature that it blacklists, bans, and otherwise censors. Why do we challenge a book? Why do we self-censor? What do these reasons tell us about our culture and ourselves? Throughout history, societies have repressed books, ideas, and authors they’ve found inflammatory, sacrilegious, or otherwise objectionable. Artists, after all, tend to push social and political norms, and societies tend to push back. This course seeks historical understanding of this tension, as well as the cultural anxieties, desires, and prejudices it reveals. By reading banned literature of all kinds, we will explore the stunning beauty, variety, and creativity of the language and images that have so unnerved—indeed, outraged—individuals and governments over the course of human history.
Possible works include: Atwood’s The Handmaid’s Tale, Brecht’s Galileo, Ta-Nehisi Coates’s Between the World and Me and The Message, Twain’s Huckleberry Finn, Everett’s James, Conrad’s Heart of Darkness and Achebe’s “Images of Africa,” Ensler’s The Vagina Monologues, Morrison’s The Bluest Eye, Nabokov’s Lolita, Puig’s Kiss of the Spider Woman, Dorit Rabinyan’s All the Rivers, Shakespeare’s Merchant of Venice and Othello, Spiegleman’s Maus, as well as a selection of poems (Lorca, Whitman, Ginsberg, Espada, Mosab Abu Toha, Tariq Luthun, Nasser Rabah, Lena Khalaf Tuffaha, Dareen Tatour, Joseph Brodsky, Swift, Lady Mary Wortley Montagu, Tafolla, Duffy, Finney), shorter fiction (Diaz, Cisneros, Alexie, Munoz, Proulx, Kureishi, Valenzuela, N.K. Jemisin), and essays (Gadsby, McWhorter, Mill, Milton, Nabokov, Bourne, Orwell, Lukianoff, Haidt, Schlott).